Image Specifications: (National & Maharashtra State Level)

A. Pixels dimension: Maximum 1920 pixels X 1080 pixels. Shortest side should not be more than 1080 pixels
B. Resolution: 300 dpi
C. Image format: JPG/ JEPG
D. Image size: Not more than 2 MB
E. IMAGE TITLE: Titles should not be more than 30 characters long. Titles longer than that cannot be printed along with the Image. Only Western/Latin, English Alphabet (a-z; A-Z; 0-9) is allowed. Words such as "Untitled" and "No Title” are not acceptable, nor are camera capture filenames or titles consisting of only numbers.
F. Image compression between 7-12.

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Rules and Regulations: (National and Maharashtra State Level)

1. Competition is restricted to Indian citizens only; however, in Maharashtra State Level Competition, competitor residing at Maharashtra State can take the part. Competitor need to submit Aadhar Card Copy if required.
2. Participants can submit maximum of 4 entries per category in as many categories as they wish.
3. Images for each section should be uploaded through Foto Circle Society's website only. http://www.fotocirclesociety.com
4. No entries will be accepted through any other mode - viz. prints, soft copies through mails, or physical media like CD/DVD/pen drives, etc.
5. Images should be submitted through Link of submission will be deactivated after the last date of submission and no entries will be accepted after that.
6. Participants can add / amend their images until last date of the competition.
7. If the entries do not reach Foto Circle Society (FCS) due to any kind of technical fault, FCS shall not be held responsible.
8. Entries received without entry-fee shall get disqualified automatically.
9. Though extreme care shall be taken by FCS, it shall not be liable for any refund of entry fees /compensation due to loss, damage, non-receipt, or withdrawal of any entry.
10. Participant must possess the exclusive rights to every photo entered and will be responsible for having all necessary permissions relating to the subject/subject matter, including photos featuring individuals/property. They should possess the original RAW/High Resolution JPEG file of the photograph. FCS will not be responsible for any claims or complaints against violation of rights or damages from any parties related to it. The participant agrees to indemnify and hold the FCS harmless in such cases. In case of any dispute, participant shall submit the obtained permissions; else the entry shall be considered as disqualified. The participant is solely responsible for any such damages.
11. Entries with watermark will not be accepted.
12. Objectionable pictures portraying nudity OR political references OR the pictures with threat to national security OR the pictures with the potential threat to communal harmony OR the pictures outraging modesty of woman or children shall be considered for disqualification without any intimation to the participants.
13. Images taken on digital cameras or from negatives will be accepted. All pictures should be original. Cropping / corrections of brightness, contrast, sharpness, white balance to enhance the quality are permitted. Images with mixing / merging of two or more images, adding / deleting of the contents from the original image will be disqualified and rejected. In camera HDR, Focus Stacking and Multiple exposure images will not be accepted. If demanded/required, participants shall produce the original negative/ Raw / digital soft copy for verification.
14. Participants permit the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low-resolution images being posted on Foto Circle Society's website. Permission to reproduce images in a catalogue or for publicity is assumed.
15. In the event that an entry is found to flout the entry requirements stated by FCS, the entry will be disqualified. Participant will not be notified of such judgment and no refund will be given. It is not the responsibility of FCS to ensure that the exhibition entry requirements and use of personal information do not break the laws and/or regulations of the place/location/state where the photograph is clicked.
16. Therefore, it is understood that participant has submitted such entries under their own responsibilities and at their own risk. In the event, that the entry becomes objectionable for the said reason/s, FCS will not be responsible for such damages.
17. Where necessary, FCS is liable to provide personal information of participant to local or any other authority.
18. In case of any conflict between a participant and FCS, the case will fall under the exclusive jurisdiction of the Thane (district of Maharashtra) Court and will be handled and settled accordingly.
19. Only one entry per person, per section is eligible for prize. If one person gets two or more prizes in the same section, participant will get prize for the highest ranking picture only. It is applicable only for the first, second, third and two consolation prizes of each section .
20. If the same image is entered in different categories by the same participant, entry with the highest rank will be considered for display/prize and that entry will be eligible for the Prize in one section only.
21. Photographs that have been awarded in previous Aavishkar National competition or which are so similar as to be indistinguishable will be disqualified irrespective of any category.
22. Judge’s decision will be final. No appeal will be entertained.
23. Due credit will be given for all shortlisted entries.
24. In case of dispatch of the awards to the winners by courier/ Speed post, though FCS shall take extreme care, it shall not be liable for any damage/loss of awards/ Certificates/ Medals/ MEMENTOs, during transit. For any undelivered courier, participants are requested to contact FCS, immediately.
25. Youth photographers (Below 18 Years of Age) will have to submit age proof if required.
26. Submission of the entries to the competition implies acceptance of the above Rules and Regulations.
27. In case of any dispute with respect to selection of images, judge’s decision will be final.
28. In case of any other disputes, organizer’s decision will be final.

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Wildlife

The story telling value of a photograph must be weighed more than the pictorial quality while maintaining high technical quality. Human elements shall not be present., except where like barn owls or storks, adapted to an environment modified by humans, or where those human elements are in situations depicting natural forces, like hurricanes or tidal waves. Scientific bands, scientific tags or radio collars on wild animals are permissible. Feral animals, domestic animals, or mounted specimens are ineligible, as is any form of manipulation that alters the truth of the photographic statement. No techniques that add, relocate, replace, or remove pictorial elements except by cropping, dodging/burning are permitted. Techniques that enhance the presentation of the photograph without changing the nature story or the pictorial content or without altering the content of the original scene are permitted. Techniques that remove elements added by the camera, such as dust spots, digital noise, and film scratches, are allowed. Stitched images are not permitted. All allowed adjustments must appear natural. Colour images can be converted to grey-scale monochrome. Infrared images, either direct-captures or derivations, are not allowed. Photographs of zoo or game farm animals or of any extant zoological or botanical species taken under controlled conditions are not eligible in Wildlife sections. Wildlife is not limited to animals, birds and insects. Marine subjects and botanical subjects (including fungi and algae) taken in the wild are suitable wildlife subjects, as are carcasses of extant species.

Landscapes and Waterscapes

Landscape photography encompasses a broad range of styles and themes, including:
1. Grand Landscapes: Majestic and awe-inspiring natural scenery, characterized by Vastness Dramatic elements , Sweeping vistas and Epic light.
2. Intimate Landscapes: Focusing on smaller, often overlooked details in nature, like patterns, textures, and forms, to create a sense of intimacy and connection.
3. Woodlands: Capturing the beauty of forests, woodlands, and trees.
4. Geological Formations: Showcasing the unique shapes and structures created by geological processes, such as canyons, arches, or rock.
5. Nightscapes: Photographing landscapes at night, often incorporating stars, moonlight, or milky ways.

Waterscapes refer to photographs that feature water as a primary element, showcasing its beauty, power, and serenity. Waterscapes can include:
1. Seascapes: Coastal areas, beaches, and oceanic landscapes.
2. Lakescapes: Lakes, and inland water bodies.
3. Riverscapes: Rivers, streams, and flowing water.
4. Wetlands: Marshes, swamps, and areas where water and land meet.
5. Water forms: Photographs of water in various forms, like waves, ripples, waterfalls, water abstracts and reflections.
6. Ice-scapes: Images of frozen water, like glaciers, icebergs, or frost.

Lines and Curves

The subject "Curves and Lines" in photography refers to the artistic use of shapes, forms, and patterns to create visually appealing images. Here are some elements that fall under this subject:

Curves: Smooth, flowing curves like arches, domes, or circular shapes, S-shaped curves like winding roads or rivers organic curves like flowers, leaves, or waves

Lines: Straight lines like architecture, roads, or shorelines, Diagonal lines like stairs, railings, or shadows Curved lines like bridges, tunnels, or circular structures, Leading lines like paths, trails, or any continuous feature that leads the eye

Shapes and Forms: Geometric shapes like triangles, squares, circles, or hexagons, Organic shapes like leaves, flowers, or clouds, Abstract shapes like patterns, textures, or reflections

Patterns: Repetitive patterns like tiles, bricks, or architecture, Natural patterns like waves, ripples, or sand dunes, Abstract patterns like shadows, light, or reflections

By emphasizing curves and lines, photographers can create: Dynamic compositions, Visual tension and balance, Emotional connections with the viewer, A sense of movement or energy

This subject is a fundamental element of photography, as it helps create visually appealing images that engage the viewer's eye and brain!

Women Empowerment

Women’s empowerment can be defined as promoting women’s sense of self-worth, their ability to determine their own choices, and their right to influence social change for themselves and others. women have moved forward in various areas of their lives and are competing with men despite many obstacles. Her impact is commendable in every section from Village to Metro, Small scale to large scale industries, Daily wage worker to Entrepreneur, House work to Corporates, Auto Rickshaw Driver to Pilots. She put her footprints in every sector in Arts, Culture, Social, Political, Sports, Health, defence etc. It’s all about women and her presence. Photographs depicting women being an integral part of the image.

For State Level (Maharashtra)

Daily Life

Daily life photography, also known as documentary photography or slice-of-life photography, captures the everyday moments and routines of ordinary people, showcasing the beauty and significance of mundane life. It aims to:
1. Document reality: Honestly portray everyday life, without staging or manipulation.
2. Tell stories: Convey the narratives and emotions behind the images.
3. Highlight the ordinary: Showcase the beauty in routine, mundane moments.
4. Capture authenticity: Depict genuine, unposed moments, free from artificial settings.
5. Explore human experience: Examine the ways people live, work, and interact. By capturing the ordinary, daily life photography reveals the extraordinary beauty and significance of everyday human experiences.

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